Photo Book Design Made More Flexible with Blurb’s New PDF to Book

June 25, 2009 by Deb

Are you a photographer interested in making the most of your marketing efforts? Publishing your own book is a great way to spread the word, to generate interest in the work you do. A book can be a great leave-behind for your clients, a thank-you present or an effective way to get more clients via selling direct!

Now, if you haven’t heard of Blurb, do check them out, because they really have made self-publishing easier and more accessible than ever before. No need to worry about distribution or printing costs here, or all that accounting and inventory associated with the book-business past.

If you already know of Blurb, there’s something new. They have just announced their PDF to Book option. For the non-designers out in the world, this may seem more complicated (special software, templates, etc.) but for designers (like me), this option makes designing and producing a book through Blurb (for people like you!) even more appealing and much more streamlined.

When I helped to design and produce Dirty Pictures by pdxcross.com, I did the work – put all the book together in Blurb; exported PDFs; imported the PDFs to Photoshop; exported the PDFs as PNG files, then imported the PNGs into Blurb’s software, BookSmart.dirty-pictures-cover

Did you get that? Whew!

Plus, there was always a chance that the typography could be pixelated. There is less chance of this happening with a PDF, if at all. Typography may not seem a big deal, but when you are in the business of communication, typography is a major player and cannot be dismissed, no matter how stunning the photography maybe.

My suggestion as a professional in the business of photographic book and layout design – definitely give self book publication a look. Keep in mind too that as an independent photographer, you now more than ever need to think “business.” And in this business role, self-promotion and effective marketing need to sit “top-priority” in your overall plan for success. Hard thoughts? For sure! But if you don’t make the effort, you won’t be in business long. It’s that competitive in today’s photographic marketplace. And even if your aspirations as a photographer don’t run the career-track, you still want to take your passion for photos and their presentation to that ever-desirable, next creative level.

But how do you design a book, construct a killer portfolio or create a photo presentation that will place your work in the limelight? “Craft Your Photo Presentation – Elevate Your Work and Its Message” will show you how – a 4-week online and personally interactive course that will give you what you need to know for consistent results.

Professional graphic designer Deb Pang Davis is no newcomer to layout and design of photographic publications. She has been Associate Art Director for National Geographic Traveler Magazine in Washington, D.C., as well as Art Director and Photo Editor for Virtuoso Life, a bimonthly luxury travel magazine.

50’s Prime-Time Revival

June 7, 2009 by TCI

If you been into photography for a while, chances are the first lens you owned was a 50mm prime. My first slr came with one – an f1.8 a front a Minolta SRT 101. It was the only lens I owned for years and I put it to work for everything – sports, people and landscapes. It’s what got me started, back in high school.

A lot of kit, brand flip-flops and thousands of images later I, like many amateurs and professionals, allowed my “50″ to fall from the radar. The lens that had been the workhorse of photographers like Cartier Bresson was no longer en vogue. It’s perspective similar to that of the human eye became seen as “boring” and “uninspiring” – too short for a conservative telephoto, too long to be a mild wide-angle.

Long story cut short, I came back. For the last few years among the digital bodies and zooms regularly carried by me about the world, again a prime 50mm is along for the ride. There’s good reason why.50

The lens is light in weight and compact. My Canon f1.4 isn’t built like a tank, but it’s been bumped aboard helicopters and rattled in the back of trucks, sprayed with dust in the south of Afghanistan and continues to work without a glitch. I can shoot portraits from a comfortable, yet intimate distance, get the bokeh (soft, out-of-focus area of a photo) I want and still be able to work candidly like the proverbial “fly on the wall.” Best thing though, I can shoot in the lowest of light – naturally, without flash – very cool, indeed!

What else? Well – plenty! Great optical performance is another plus for this “normal” focal length. Since the 1930s the lens has been the mainstay of 35mm photography. Its pedigree carries one of the best understood and most highly corrected optical designs in the history of optical technology. Even the cheapest 50mm lens will be superior to any of the current crop of moderate-aperture, consumer zooms. In fact, 50mm lenses are often the sharpest optics in a manufacturer’s line.

Best of all though, using a “standard” 50mm prime is good training for seeing effectively with the camera. “Zoom with your feet” is the Modus operandi here – moving closer to eliminate the unwanted, backing away to include more context for the subject.

With a prime lens like a 50mm, a photographer becomes much more aware of the viewfinder as a compositional frame. In fact, after using such a lens exclusively for a while, pictures then made with a zoom will improve, since the former instills a much better understanding of just how focal length affects composition.

Photojournalist David Bathgate teaches the online-interactive course Rediscovering the 50mm Prime at the The Compelling Image.

Creative Process: Seeing the Forest from the Trees

May 17, 2009 by dhstudio1

As creative Image Makers, sometimes it is not easy to see the forest for the trees, so to speak. Getting the creative process started is sometimes easier said than done. Writers talk about writer’s block, Artist’s who paint talk about the fear of staring onto a blank white canvas, photographers search for “Their Niche,” and so on. A good starting point is to find something that resonates with your personal interest or something you feel strongly about. There are myriad possibilities to choose from, such as people, architecture, landscapes, abstractions, color, sports, animals, cars, global warming, pollution, social injustice, on and on.DH01

A particular interest that stirs my imagination is the simple but yet complex nature of the human face; two eyes a nose and a mouth. I have been fascinated my entire life with this mystery, how is it that we all share the same basic features and yet we all are unique looking individuals?DH02
There are 6.7 billion faces on the earth today and each is distinctive in
expressing the “anima” within. In regards to this enigma, I have been making mixed-media, mask-like images and photographic portraiture pretty much my entire life. I combine many mixed-media techniques in conjunction with the photographic medium. Some of these techniques include photo-printmaking, digital imaging, Photoshop, coloring with pastels and oils, bronze sculpture, collage, charcoal drawings and SX-70 Polaroid images.DH03DH04

The idea is to discover an alternative point of view that will help generate unique and poignant imagery within one’s particular niche or series of works. Once “on track,” the creative journey gains momentum, giving rise to new ideas and unpredicted results that fuels the imagination. Art is a dynamic process; the magic is in the doing, the results are proof that magic exists!

Professional fine art photographer David Hoptman teaches two online and interactive courses at The Compelling Image-The Abstract Image and Mixed-Media Photography.

Finding The Angle of Polarizers

May 7, 2009 by Gina Genis

We all know that polarizers work best at a 90 degree angle to the sun. But even knowing that, when you are a new student out in the field, sometimes it is hard to determine just where the best angle is without constantly holding your camera up to your eye. I am asked quite frequently “how did you know exactly where to aim your camera?” I have a not-so-secret secret. A good pair of polarizing sunglasses. Wearing them in the field always lets me know where the polarizer will work best. They save time, and they get rid of the guesswork.

Professional landscape and fine art photographer Gina Genis teaches the online-interactive course “Macro Photography – It’s a Small World” at The Compelling Image.

Making Political Analysis Come Alive on the Small Screen

May 5, 2009 by asatter

As a videojournalist who covers politics in Washington, DC – not exactly the most visual topic in the most visual city (well, the city itself is beautiful, but inside the Capitol not so much) – I often have to get creative with my stories. While much of the discussion concerning online videojournalism focuses on what I like to call emotional documentary stories, there is a whole sub-genre of producers creating engaging editing-oriented pieces for the web. In this post I want to describe what goes in to creating a piece that has very little original video.

My latest piece assessing Barack Obama’s first 100 days is typical of the type of video I produce. Such pieces require a mash-up of original video, external footage and creative use of graphics.

The first step involves working on the script with my reporter, in this case CQ White House correspondent Adriel Bettelheim. Adriel wrote a 1,200 word story on the same topic, which is obviously way too long and intentionally slow-paced to directly convert into a video narration. I took Adriel’s story and crafted it into a more script-friendly version, and then sent back to him for his thoughts. We usually do about 2-3 revisions before we’re ready to track (record) his voiceover.

At the same time, I make a list of all of the visuals I need. I start with footage that I already have in house, including a few Obama press conferences and some broll of a protest outside the White House (in fact, knowing that I had footage of the protest I wrote it into the script). Then I look on WhiteHouse.gov for video Obama’s speeches that I need to excerpt. Luckily CQ has a great transcript wire, so it’s easy to search through all of his speeches to identify my clips. I record screencasts of the parts of the speeches I need with an indispensable application called iShowU. Then I look for still photos in the CQ photo archives and Getty Images, where we have a subscription.

Once I have the voiceover recorded and all of the video footage, I assemble it all into my timeline in Final Cut Pro. I lay down the a-roll (narration and speech excerpts) first, and then assemble my b-roll (visuals) on top of the audio tracks. Invariably some images don’t work like I thought they would in the storyboard, and I always have a few gaps so I have to collect a few more. Once I have my Rough Cut (every piece of a-roll with a visual on top of it, but no animations or transitions), I start to tweak. Adding movement and filters and adjusting audio levels is the most time-consuming part of the whole process, and usually takes me a few hours of hard core editing for every 3-4 minute video.

Of course the key to all of this is to make the video interesting. Political analysis isn’t exactly sexy, so you’ve got to dress the video up a bit. MediaStorm recently posted one of the best resources for how to spice up multimedia and video presentations. I encourage everyone to study this list very carefully, as they hit all of the major points about pacing, timing, how to most effectively use the Ken Burns effect, how long to leave images up for and much more.

All told, this video was produced almost entirely in-house (minus a short trip to the White House to film Adriel’s stand up) and took a solid two days to produce. Ten years ago it would have impossible for anyone but a network or a dedicated documentary film producer to do something like this, but with the improvements in digital video editing and the availability of publicly accessible material online, it shows you what you can do with very little of your own acquired footage.

Professional videojournalist Andrew Satter teaches three online-interactive courses at The Compelling Image: Mastering Video Production Basics, Final Cut Express – Taming the Learning Curve and Up and Running with Final Cut Pro HD.

Fresh Photo Fair – Benefit for AIDS – Event for All

April 30, 2009 by TCI

The inaugural Fresh Photography Fair which took place in Los Angeles at the weekend, drew crowds and acclaim.fresh-02

The weekend saw the inaugural Fresh Photo Fair take place to rapturous success. Twenty-five photographers exhibited their fine art photography to the attending crowds. Participants even traveled from oversees in order to take part at the much talked about event, with photographers flying in from Paris, Armenia, London and Canada amongst others.

fresh-01Taking place at the chic Pier59 Studios in Santa Monica, the event commenced with a preview party on Friday April 24th. Wine and cocktails flowed whilst the collectors and industry professionals chatted to the photographers about their eclectic works of art. The party was a benefit for the Focus on Aids foundation and a slideshow projection showed images, which were kindly donated to FOA for their impending auction.

Each of the participating photographers’ exhibits showed immense variety of styles and mediums, such as Bill Durgin’s Nude forms, Ed Freeman’s surfing images, Carolina Zorrilla de san Martin’s documentary images of bull fighters in Spain, Kristopher Grunert’s duratrans, Jim McHugh’s polaroids and Nicole Giaudrone’s Elephant photos.

The event which was free and open to the public, continued on Saturday and Sunday, with photography lectures taking place in the same venue from the likes of Art Streiber, Andrew Southam, Susan Baraz, Melvin Sokolsky, Robert Farber and Graham Howe amongst others.

Future Freshfairs are planned for New York and Europe. Keep an eye on the website for further details.

Key organizer in this year’s Fresh Fair event was professional photographer Heidi Laughton, who teaches the online-interactive course Digital Beginnings – Getting Started in Photography at The Compelling Image.

Digital LCD Screens and That Glaring Sun

April 28, 2009 by Gina Genis

Many of my students complain about not being able to see images on their camera’s LCD screens while shooting in the field. The best tool I have found to date is the Hoodman Loupe. It is always the first thing I grab from my gear bag. If I lost it, I’d whine as if I hadn’t tasted chocolate for a month. The following is an excerpt from Hoodman’s website:

“HoodLoupe3.0tm Professional is worn around your neck just like a normal loupe. When it is time to review your shot; bring Hoodloupe up to your image and place your eye up to the eye cup for complete glare free viewing. HoodLoupe3.0tm has a +-3 diopter to accommodate those with less than perfect vision. HoodLoupe3.0tm adjusts focus just like a binocular eye piece… you turn the eye piece in or out to set for your vision. Minimal magnification is used to eliminate visual pixilation of your image. Each HoodLoupe3.0tm is encased in a user friendly rubber for comfort and protection from bumps that will occur throughout your shoot. Comfortable lanyard and compact protective storage case included. Fits up to 3.0 inch LCD screens.”

I highly recommend this product. I wish I received a commission for all the students who have purchased one after borrowing mine – Hoodman’s Loupe – don’t leave home without it!

Professional landscape and fine art photographer Gina Genis teaches the online-interactive course “Macro Photography – It’s a Small World” at The Compelling Image.

FRESHFAIRS – A Photo Exhibition

April 26, 2009 by Gina Genis

Many thanks to the hard work of Heidi Laughton, one of many who worked doggedly to help get Fresh Fair running. Fresh Fair is a photography exhibit running through today (April 26th) with photographers from all over the world displaying their work. It is located just outside the gates of Bergamot Station, in Santa Monica, CA. This is the first time it has been produced, and I have been told it will be a yearly event. If you can get over there today, stop in, enjoy the work, meet some talented photographers, and lend your support. There can never be enough venues to show fine art photography.

Hours of Operation:
Friday, April 24th: 6 – 9 p.m. VIP Preview Party (all proceeds go to Focus on AIDS)
Saturday, April 25th: 12 – 7 p.m.
Sunday, April 26th: 12 – 6 p.m.

Pier 59 Studios West
2415 Michigan Ave
Santa Monica, CA 90404

By Gina Genis

Professional photographer Heidi Laughton teaches the online-interactive course Digital Beginnings – Getting Started in Photography at The Compelling Image.
Gina Genis also is a professional photographer, who will soon be offering online courses at The Compelling Image.

China Through the Viewfinder

April 19, 2009 by TCI

There are “on-location” photography classes and workshops and there are “online” courses like those offered conveniently through The Compelling Image. During the current 4-week session of courses, three TCI students are combining both, filing weekly assignments while enjoying an intrepid overland adventure through Mainland China.

Photo by Josh Foreman

Photo by Josh Foreman

Confronted with language barriers, everyday logistics and sometimes stomach-wrenching culinary episodes, these students from Canada and America (two by way of South Korea as English teachers), are benefiting from photo instruction “on the go.” And their pictures show it!

Photo by Benjamin Voborsky

Photo by Benjamin Voborsky

“My assignment will be a little late this week, hope that won’t be a problem,” is an email received sometimes by their instructor, David Bathgate. Or – “No wireless in the guesthouse where we’re staying. Have to send this assignment from an internet cafe and there’s no control over choice of fonts, etc.”
Photo by Melissa Hubley

Photo by Melissa Hubley

But despite any seeming inconvenience it all works surprising well thanks to timely instructor attention, focused lessons, practical assignments and access to the internet – almost everywhere along the way in one of the most expansive and populated landscapes on the planet.

Photo by Melissa Hubley

Photo by Melissa Hubley

Photo by Josh Foreman

Photo by Josh Foreman

Photo by Benjamin Voborsky

Photo by Benjamin Voborsky

Photojournalist David Bathgate teaches online courses in people photography and developing a photo style at The Compelling Image.

THE AGE OF THE FEMININE – 2010 Calendar

April 10, 2009 by kloie

THE AGE OF THE FEMININE 2010 Calendar is a self-assigned project to raise funds for a community learning center in the Levant for Palestinian and Iraqi refugees.kloie-blog-03 The AGE OF THE FEMININE 2010 Calendar will feature PIN-UP styled photos of English teachers living and working in Taiwan. The pin-ups featured are from archetypes of women from 1900 to 2010.

Why a calendar? Since last year I have been organizing fund-raising events for Palestinian and Iraqi refugees. Fund-raising takes an incredible amount of time and people to make it work and in Taiwan, well there are not that many people who understand the situation of refugees. I looked at what is popular in Taiwan, what the average Taiwanese person would buy, what the X-pat community would buy and came up with this calendar.

Here are a couple of photos of Kara Miller MISS MARCH ( pin-up 1920) an English and yoga teacher working in Taipei. kloie-blog-011Kara is looking forward to returning to America to further her studies.

Professional photographer and filmmaker Kloie Picot teaches an online and interactive course on how to plan and complete a self-assignment, at The Compelling Image.